Stage Manager, Women & Theatre on Tour, September - October 2001
Stage Manager of one-night-stand tour of FagHag to theatres & non-theatre venues. Responsible for fit-ups, relights, LX & sound operation, get-outs, petty cash, technical liaison with venues, prop and set maintenance, and driving.

Production Manager, Oxfordshire Touring Theatre Company, October - November 2000
Production Manager for one-night-stand tour of Tales of the Arabian Nights to art centres, community centres and village halls around the country. Responsible for pre-production technical aspects of the show, including budgets, petty cash, technical liaison with venues, sourcing of props and materials, and LX design.

Stage Manager/Lighting Designer, Snap Theatre Company , May 2000
Stage Manager and Lighting Designer of transfer of schools tour The Owl who Was Afraid of the Dark to theatre venues.  Responsible for supervision of LX rigs,  LX & sound operation, additional props and costume, technical liaison with venues.

Company Stage Manager, Oxfordshire Touring Theatre Company , August 1999 - May 2000
Company Stage Manager and Lighting Designer of three one-night-stand tours of local community and small-scale theatre & non-theatre venues. Responsible for lighting design, recording of soundtrack, propping and furnishing of production, supervision of fit-ups, and get-outs,  LX & sound operation, petty cash, technical liaison with venues, prop and set maintenance, and driving of set.

Stage Manager, Backchat Theatre Company Tour, April - May 1999
Stage Manager of one-night-stand tour of the one man play You Are My Mother to small-scale theatre venues. Responsible for fit-ups, relights, LX & sound operation, get-outs, petty cash, technical liaison with venues, prop and set maintenance, FoH liaison, and driving of set.

Company Stage Manager, Birmingham Rep. Community Tour, September - November 1997
Stage Manager of one-night-stand community tour of The Road to Hell to local theatre & non-theatre venues. Responsible for supervision of fit-ups, and get-outs, petty cash, technical liaison with venues, prop and set maintenance, FoH & press liaison, and driving of set. (See also Repertory Experience.)

Stage Manager, Birmingham Rep. Community Tour, February - March 1997
Stage Manager of one-night-stand community tour of Bonded to local theatre & non-theatre venues.  Responsible for supervision of fit-ups, and get-outs, petty cash, technical liaison with venues, prop and set maintenance, FoH & press liaison, and driving of set.(See also Repertory Experience.)

Company Stage Manager, Opening Night productions, April -June 1996
Company Manager and on the book for No.1/middle scale tour of Wind in the Willows. Responsible for supervision of fit-ups and get-outs, petty cash, liaison with venues, prop and set maintenance, FoH & press liaison, and driving of set.

Company Stage Manager, Japanese tour for Watermill Theatre, December 1995Responsible for taking Watermill production of Othello to Globe Theatre, Tokyo and MAI Theatre, Osaka. Duties included pre-production technical liaison with Japanese venues, organising carnet, care of acting company, overseeing props and wardrobe get-ins and technical rehearsals. (See also Repertory Experience.)

Assistant Stage Manager, Royal Lyceum on tour , August 1991 - September 1992
Propping & crewing for short No1 Scottish tour of Romeo & Juliet, and ASM on the book for Lyceum run and transfer to Aberdeen of Arsenic and Old Lace  (See also Repertory Experience.)

Assistant Stage Manager, later Stage Manager, Empty Space Theatre Co., January - May 1990
On the book for Pilgrim's Progress on small-scale national tour and run at Battersea Arts Centre. Responsible for sound operation, petty cash and wages, venue liaison, and set maintenance.

Stage Manager, Dance Alive, September - November 1989
On the book for small-scale dance tour. Also responsible for sound operation.